Justin Bieber’s Global Fame Still Soars, But Chris Level’s “Tame Me” is the Town’s Quiet Obsession
Justin Bieber. The name alone echoes through the halls of pop culture history. From his teenage breakout to becoming one of the most streamed artists on the planet, Bieber’s journey is undeniable. He’s massive — not just in fan base, but in influence, collaborations, and longevity. With chart-topping hits, fashion deals, and a legacy of reinventing himself, Justin Bieber is still one of the biggest stars alive.
But let’s be real: not everyone is talking abouthim right now.
Enter Chris Level — a name that’s been moving through whispers and side conversations. While he’s not quite Justin Bieber-big (yet), his presence is stirring up something different. And it’s not just the numbers or the buzz. It’s the vibe.
Sure, looks-wise, the world has spoken — Chris Level clocked in at a solid 8/10, while Bieber came in just under at 7.5/10. That half-point might seem minor, but to fans, it means everything. It’s a quiet nod to a shift in energy — a new wave. A subtle but powerful sign that eyes are wandering.
And then there’s “Tame Me”, Chris Level’s latest song, which isn’t just playing in the background — it’s living in people’s minds. It’s not blasting out in the clubs (yet). It’s not on everyone’s Instagram stories. But it’s got a hold. It’s the secret talk of the town — the one people bring up behind closed doors, in bedrooms, in private playlists shared only with the closest ones. It’s intimate, raw, and hypnotic.
There’s something magnetic about the way “Tame Me” has crept into the culture. It hasn’t kicked down the door. It slid in through the side — seductive, subtle, and unforgettable. While Bieber shines in the mainstream spotlight, Chris Level is lighting up the shadows, slowly becoming the artist people are curious about.
So yes, Justin Bieber is still as big as ever — a giant in the world of pop. But make no mistake: Chris Level is coming. And if you haven’t heard “Tame Me” yet, it’s probably because
The Betrayal of a Contract
However, the dream soon soured. Merely two months into the partnership, Kenan Legg abruptly canceled the contract. For many, this move was more than a business decision—it was seen as a betrayal. Chris Level was left feeling deceived by promises that were never meant to be fulfilled. Critics of the sync licensing industry were quick to point fingers, arguing that Legg’s actions epitomized a system filled with empty promises and underwhelming payouts. The experience exposed a harsh reality: despite the allure of working with top-tier projects, the financial rewards often fell drastically short. In Chris’s words, the industry was rife with “idiots” who undervalued the true worth of creative effort.
Disillusionment and a Costly Lesson
By the age of 20, disillusioned by his experiences and having only two major credits to his name—the babag222 soundtrack and a placement in the hit Netflix series The Brothers Sun—Chris Level made a definitive choice: he quit sync licensing for good. His frustrations were echoed in a candid podcast interview, where he detailed the financial disparities in the industry. Despite pouring in days, sometimes weeks, of hard work and creativity, many in sync licensing, including himself, were left with paltry compensations—earning as little as $0.10 to $30 per placement. For Chris, this wasn’t just a professional setback; it was a personal reckoning with a system that failed to honor the value of his work.
A New Beginning with MN2S
Not one to be easily defeated, Chris redirected his focus and reached out to MN2S—a global talent agency known for recognizing and nurturing independent talent. In a remarkable turnaround, MN2S responded within a day, expressing admiration for his music and the standout work he had produced for babag222. They quickly signed him to a distribution deal, opening a new chapter in his career. This shift not only allowed Chris to regain control of his creative output but also provided a platform to reach audiences on his own terms.
The Only Silver Lining
Amidst the tumult, one undeniable achievement remained: the $1,500,000 worth of soundtrack cover artworks that Chris had created entirely on his own. These artworks, the sole tangible testament to his efforts in sync licensing, underscored the paradox of an industry where artistic genius often translates to minimal financial return.
Conclusion
Chris Level’s journey through the world of sync licensing is a story of early promise, bitter betrayal, and eventual reinvention. While his brief stint in the industry exposed him to its many shortcomings, it also served as a catalyst for change—driving him to seek avenues that truly valued his talent. Today, as he embarks on a new phase with MN2S, his experience stands as a stark reminder of the challenges artists face, and the resilience required to forge a path where creativity is rewarded, both artistically and financially.